Winterreise Wikipedia. Winterreise Winter Journey is a song cycle for voice and piano by Franz Schubert D. Op. 8. 9 in 1. 82. Wilhelm Mller. It is the second of Schuberts two great song cycles on Mllers poems, the earlier being Die schne Mllerin D. Op. 2. 5, 1. 82. 3. Both were originally written for tenor voice but are frequently transposed to suit other vocal ranges the precedent being established by Schubert himself. These two works have posed interpretative demands on listeners and performers due to their scale and structural coherence. Torrent Mahler Complete Edition' title='Torrent Mahler Complete Edition' />Although Ludwig van Beethovens cycle An die ferne Geliebte To the Distant Beloved had been published earlier, in 1. Schuberts two cycles hold the foremost place in the history of the genre. Authorship and compositioneditWinterreise was composed in two parts, each containing twelve songs, the first part in February 1. Pro Deo 1.6. October 1. 82. 7. The two parts were also published separately, by Tobias Haslinger, the first on 1. January 1. 82. 8, and the second the proofs of which Schubert was still correcting days before his death on 1. November on 3. 0 December 1. Mller, a poet, soldier, and Imperial Librarian at Dessau in Prussia present day east central Germany, died in 1. Die schne Mllerin 1. Winterreise. Die schne Mllerin had become central to the performing repertoire and partnership of Schubert with his friend, the baritone singer Johann Michael Vogl, who introduced Schubert and his songs into many musical households great and small in their tours through Austria during the mid 1. Vogl, a literary and philosophical man accomplished in the classics and the English language, came to regard Schuberts songs as truly divine inspirations, the utterance of a musical clairvoyance. Schubert found the first twelve poems under the title Wanderlieder von Wilhelm Mller. Die Winterreise. In 1. Liedern in an almanack Urania. Taschenbuch auf das Jahr 1. Leipzig in 1. 82. It was after he had set these, in February 1. Mllers book of 1. Poems from the posthumous papers of a travelling horn player, dedicated to the composer Carl Maria von Weber godfather of Mllers son F. Max Mller, as a pledge of his friendship and admiration. Weber had died in 1. On 4 March 1. 82. Schubert invited a group of friends to his lodgings intending to sing the first group of songs, but he was out when they arrived, and the event was postponed until later in the year, when the full performance was given. Between the 1. Mller varied the texts slightly and also with the addition of the further 1. Owing to the two stages of composition, Schuberts order in the song cycle preserves the integrity of the cycle of the first twelve poems published and appends the twelve new poems as a Fortsetzung Continuation, following Mllers order if one excludes the poems already set with the one exception of switching Die Nebensonnen and Mut. In the complete book edition, Mllers final running order was as follows Gute Nacht Die Wetterfahne Gefrorne Thrnen Erstarrung Der Lindenbaum Die Post Wasserflut Auf dem Flusse Rckblick Der greise Kopf Die Krhe Letzte Hoffnung Im Dorfe Der strmische Morgen Tuschung Der Wegweiser Das Wirtshaus Das Irrlicht Rast Die Nebensonnen Frhlingstraum Einsamkeit Mut Der Leiermann. Thus, Schuberts numbers would run 15, 1. Hans Joachim Moser and Gnther Baum. Schuberts original group of settings therefore closed with the dramatic cadence of Irrlicht, Rast, Frhlingstraum and Einsamkeit, and his second sequence begins with Die Post. Dramatically, the first half is the sequence from the leaving of the beloveds house, and the second half the torments of reawakening hope and the path to resignation. In Winterreise Schubert raises the importance of the pianist to a role equal to that of the singer. Torrent Mahler Complete Edition' title='Torrent Mahler Complete Edition' />In particular, the pianos rhythms constantly express the moods of the poet, like the distinctive rhythm of Auf dem Flusse, the restless syncopated figures in Rckblick, the dramatic tremolos in Einsamkeit, the glimmering clusters of notes in Irrlicht, or the sharp accents in Der strmische Morgen. The piano supplies rich effects in the nature imagery of the poems, the voices of the elements, the creatures and active objects, the rushing storm, the crying wind, the water under the ice, birds singing, ravens croaking, dogs baying, the rusty weathervane grating, the posthorn calling, and the drone and repeated melody of the hurdy gurdy. Opinions of Schuberts intentionseditWhat might have forced the composer to confront and create the somber Winterreise A possible explanation is documented in a book by Elizabeth Norman Mc. Kay, Schubert The Piano and Dark Keys Towards the end of 1. Schubert was very sick, having contracted the syphilis that inevitably was to affect the remainder of his life his physical and mental health, and the music he was to compose. As detailed below, he worked on Winterreise as he was dying of syphilis. In addition to his friend Franz von Schober, Schuberts friends who often attended his Schubertiaden or musical sessions included Eduard von Bauernfeld, Joseph von Spaun, and the poet Johann Mayrhofer. Both Spaun and Mayrhofer describe the period of the composition of Winterreise as one in which Schubert was in a deeply melancholic frame of mind, as Mayrhofer puts it, because life had lost its rosiness and winter was upon him. Spaun tells that Schubert was gloomy and depressed, and when asked the reason replied, Come to Schobers today and I will play you a cycle of terrifying songs they have affected me more than has ever been the case with any other songs. He then, with a voice full of feeling, sang the entire Winterreise for us. We were altogether dumbfounded by the sombre mood of these songs, and Schober said that one song only, Der Lindenbaum, had pleased him. Torrent Mahler Complete Edition' title='Torrent Mahler Complete Edition' />Thereupon Schubert leaped up and replied These songs please me more than all the rest, and in time they will please you as well. It is argued that in the gloomy nature of the Winterreise, compared with Die schne Mllerin, there isa change of season, December for May, and a deeper core of pain, the difference between the heartbreak of a youth and a man. There is no need to seek in external vicissitudes an explanation of the pathos of the Winterreise music when the composer was this Schubert who, as a boy of seventeen, had the imagination to fix Gretchens cry in music once for all, and had so quivered year by year in response to every appeal, to Mignons and the Harpers grief, to Mayrhofers nostalgia. It is not surprising to hear of Schuberts haggard look in the Winterreise period but not depression, rather a kind of sacred exhilaration. Winterreise at his luck in the subject, at the beauty of the chance which brought him his collaborator back, at the countless fresh images provoked by his poetry of fire and snow, of torrent and ice, of scalding and frozen tears. The composer of the Winterreise may have gone hungry to bed, but he was a happy artist. Schuberts last task in life was the correction of the proofs for part 2 of Winterreise, and his thoughts while correcting those of the last song, Der Leiermann, when his last illness was only too evident, can only be imagined. Swiss Manager Pro there. Insyde Download'>Insyde Download. However, he had heard the whole cycle performed by Vogl which received a much more enthusiastic reception,1. Lactualit de tous les jazz et les grands rendezvous de lhistoire du jazz. 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