Beatles Songwriting Recording Database With The Beatles. Originally released in the UK, November 2. Plus SINGLE I Want To Hold Your HandThis Boy UK release 1. Plus EP Long Tall SallyI Call Your NameSlow DownMatchbox UK release 61. IT WONT BE LONGLennonMc. CartneyJOHN 1. 98. It Wont Be Long is mine. It was my attempt at writing another single. It never quite made it. That was the one where the guy in the London Times wrote about the Aeolian cadences of the chords which started the whole intellectual bit about the Beatles. PAUL circa 1. Wed spot the double meaning. In It wont BE LONG till I BELONG to you it was that same trip. ALL IVE GOT TO DOLennonMc. Best Bike Computer 2017 Garmin Edge 520 vs Wahoo ELEMNT BOLT. ParadiseRecordsLPEPSPCD1210. Get the latest news on celebrity scandals, engagements, and divorces Check out our breaking stories on Hollywoods hottest stars Out 19th May 2017 via Warp Records. Listen to The One 2. CartneyJOHN 1. 98. Thats me trying to do Smokey Robinson again. ALL MY LOVINGLennonMc. CartneyJOHN 1. 97. This was one of his first biggies. JOHN 1. All My Loving is Paul, I regret to say. Because its a damn fine piece of work. But I play a pretty mean guitar in back. PAUL 1. Yeah, I wrote that one. It was the first song I ever wrote where I had the words before the music. I wrote the words on a bus on tour, then we got the tune when I arrived there. Caesar Ii Software Download. The first time Ive ever worked upside down. PAUL 1. I think that was the first song where I wrote the words without the tune. I wrote the words on the tour bus during our tour with Roy Orbison. We did alot of writing then. PAUL circa 1. It was a good show song. It worked well live. DONT BOTHER MEHarrisonGEORGE 1. The first song that I wrote. I could write a song. I wrote it in a hotel in Bounemouth, England, where we were playing a summer season in 1. I was sick in bed. Cotc/hqdefault.jpg' alt='Biggies Best Hits' title='Biggies Best Hits' />Dont Bother Me. I dont think its a particularly good song. It mightnt even be a song at all, but at least it showed me that all I needed to do was keep on writing, and then maybe eventually I would write something good. PAUL 1. Goliyon Ki Raasleela RamLeela English A Play of Bullets RamLeela, or simply RamLeela, is a 2013 Indian romantic crime drama film co written, co edited, co. I think John and I were really concentrating on Well do the real records, but because the other guys had alot of fans we wrote for them too. George eventually came out with his own, Dont Bother Me, but until then he hadnt written one. LITTLE CHILDLennonMc. CartneyJOHN 1. 97. Both of us wrote it. This was a knock off between Paul and me. JOHN 1. Little Child was another effort of Paul and I to write a song for somebody else. It was probably Ringo. PAUL circa 1. Certain songs were inspirational and you just followed that. Little Child was a work job. PLEASE MR. POSTMANDobbinGarrettGarmanBrianbertPAUL 1. Influenced by the Marvelettes, who did the original version. We got it from our fans, who would write Please Mr. Postman on the back of the envelopes. Posty, posty, dont be slow, be like the Beatles and go, man, go That sort of stuff. HOLD ME TIGHTLennonMc. CartneyJOHN 1. 98. That was Pauls. Maybe I stuck some bits in there. I really dont remember. It was a pretty poor song and I was never really interested in it either way. PAUL 1. I cant remember much about that one. Certain songs were just work songs. Thats one of them. You just knew you had a song that would work, a good melody. Hold Me Tight never really had that much of an effect on me. It was a bit Shirelles. PAUL circa 1. Hold Me Tight was a failed attempt at a single which then became acceptable album filler. I WANNA BE YOUR MANLennonMc. CartneyJOHN 1. 97. Both of us wrote it, but mainly Paul. I helped him finish it. JOHN 1. I Wanna Be Your Man was a kind of lick Paul had I wanna be your lover, baby. I wanna be your man. I think we finished it off for the Stones. We were taken down to meet them at the club where they were playing in Richmond by Brian and some other guy. They wanted a song and we went to see what kind of stuff they did. Mick and Keith heard we had an unfinished song Paul just had this bit and we needed another verse or something. We sort of played it roughly to them and they said, Yeah, OK, thats our style. But it was only really a lick, so Paul and I went off in the corner of the room and finished the song off while they were all still sitting there talking. We came back, and thats how Mick and Keith got inspired to write. Jesus, look at that. They just went in the corner and wrote it and came back You know, right in front of their eyes we did it. So we gave it to them. It was a throw away. The only two versions of the song were Ringo and the Rolling Stones. It shows how much importance we put on them. We werent going to give them anything great, rightI believe it was the Stones first record. PAUL 1. I wrote it for Ringo to do on one of the early albums. But we ended up giving it to the Stones. We met Mick and Keith in a taxi one day in Charing Cross Road and Mick said, Have you got any songs So we said, Well, we just happen to have one with us I think George had been instrumental in getting them their first record contract. We suggested them to Decca, cuz Decca had blown it by refusing us, so they had tried to save face by asking George, Know any other groups He said, Well, there is this group called the Stones. So thats how they got their first contract. Anyway, John and I gave them maybe not their first record, but I think the first they got on the charts with. They dont tell anybody about it these days they prefer to be more ethnic. But you and I know the real truth. NOT A SECOND TIMELennonMc. CartneyJOHN 1. 98. Thats me trying to do something. I dont remember. laughsPAUL 1. Influenced by Smokey Robinson and the Miracles. I WANT TO HOLD YOUR HANDLennonMc. CartneyPAUL 1. 96. Lets see, we were told we had to get down to it. So we found this house when we were walking along one day. We knew we had to really get this song going, so we got down in the basement of this disused house and there was an old piano. It wasnt really disused, it was rooms to let. We found this old piano and started banging away. There was a little old organ too. So we were having this informal jam and we started banging away. Suddenly a little bit came to us, the catch line. So we started working on it from there. We got our pens and paper out and just wrote down the lyrics. Eventually, we had some sort of a song, so we played it for our recording manager and he seemed to like it. We recorded it the next day. JOHN 1. We wrote alot of stuff together, one on one, eyeball to eyeball. Like in I Want To Hold Your Hand, I remember when we got the chord that made the song. We were in Jane Ashers house, downstairs in the cellar playing on the piano at the same time. And we had, Oh you u u got that something. And Paul hits this chord, and I turn to him and say, Thats it I said, Do that again In those days, we really used to absolutely write like that both playing into each others noses. Wsus Script Force Update Detection Device here. PAUL circa 1. Eyeball to eyeball is a very good description of it. Thats exactly how it was. I Want To Hold Your Hand was very co written. THIS BOYLennonMc. CartneyJOHN 1. 98. Just my attempt at writing one of those three part harmony Smokey Robinson songs. Nothing in the lyrics. There was a period when I thought I didnt write melodies. Paul wrote those and I just wrote straight, shouting rock n roll. But of course, when I think of some of my own songs In My Life, or some of the early stuff This Boy, I was writing melody with the best of them. PAUL 1. Fabulous. And we just loved singing that three part too. Wed learned that from sings To know know know her is to love love love her. We learned that in my dads house in Liverpool. I CALL YOUR NAMELennonMc.