Top producers dish out their sound adviceImage CorbisIntro. Success isnt always measured by the amount of money you earn sometimes doing it for the love is enough. But either way, some sound advice from those in the know is never a bad thing, right Weve corralled tips from artists, producers and DJs from all over the globe on how you can become more successful as a music producer. Read them, reflect on them, and then put them into practice. Start with a solid ideaAt the end of the day its not so much the editing style that matters, its more about having a real cool, concrete idea. Even if its a whole line of bits and crazy parts, it still has to stick with you and have. No more missed important software updates UpdateStar 11 lets you stay up to date and secure with the software on your computer. Equipboard is the worlds largest database of artists and the gear they use. All crowdsourced and built by you. Know your environment. Richard I believe it takes a while before you get used to a certain room, the way it sounds and the way the speakers are harmonising. The more time you spend producing there, the better you know the dynamics. All the Tosca albums from 2. Kick Nicky Romero Vst' title='Kick Nicky Romero Vst' />Rupert I know artists who travel all the time all they work with is their laptop and their ears. Thats fair enough, but for Tosca we wanted to concentrate all our powers in one place, so we dont have to worry about unknown loudspeakers, missing gear or overbooked flights and hotels. We know the space, its waiting for us and we know how it sounds. This plug and play situation is really ideal for us. Think like a cinematographer when arranging and mixingWe have a limited amount of space on the soundstage in the same way a cameraman has a finite amount of screen space. The cameraman can obviously move further afield from the subject in order to accommodate for more visual objects but what happens Things get smaller, you can no longer see the actors eyes, etc. The same laws tend to apply to sound. Updated Even more top producers dish out their sound advice. A good techniqueThe cool thing today, is that anyone can learn how to make a track. Its not about your finger skills on an instrument, but your skill in the programs and knowledge of what makes a good track, putting it together and getting to grips with chords and scales in that way. Get honest feedbackOne of the best parts of collaboration is having a pair of trusted ears to provide instant feedback. Sounds that one of us would have taken hours to arrive at on our take shape much more quickly in each others company, and bad ideas get quashed well before wasting valuable studio time. Whether or not youre collaborating, find some trusted critical ears preferably someone who can deliver their criticism constructively and get in the habit of running things by them. A lot of people surround themselves with yes men and their sound develops much more slowly as a result. As an artist, you have to be sensitive enough to express yourself authentically, but you also need to be able to take criticism in stride. It may seem counter intuitive, but youll do yourself a massive favour by inviting critique from people who understand your aesthetic aims. Dont force writers blockI used to go through long periods when I was unable to make music, now I have realised that if things arent going well I just have to stop and do something else go for a bike ride, read a book or have a mix. Whenever I sat in my studio and forced myself to work on music I made terrible music and ended up frustrating myself and pushing myself deeper into ruts. Be prepared to invest your own money. Dave 1 Our records have never really sold big and were more popular now than we ever were before. Record labels come and go and well always find a label. The idea is for us to have interesting deals in place but we really concentrate on making good music and our live show. P Thugg Everything in the studio is ours, yknow. I win a dollar and I reinvest it in those synths. I save 5,0. 00 a month from not living in New York and that gets reinvested in the studio too. We just need to keep some money aside to get somebody like Philippe Zdar to mix it. D We spend a lot of our own money on Chromeo for sure. I mean if nobody can give us the budget to do a video, then well do it ourselves. I think were still quite big on the Internet and thats still a vitally important echo chamber for our music so we see the value in investing in it. Start with good soundsand try not to ruin them. Seems obvious, but its easier to get things right as you write than do a lot of remedial work later. Mix in reverseInstead of bringing the gain up on something you want louder, consider that maybe everything else should be quieter. Rpg Maker Vx Ace Blood Tiles Download Google more. This is why I call it mixing in reverse. Bringing everything else down isnt always the solution, whats important is realising that just making a certain thing louder isnt always the solution either. Its so easy to be mixing for an extended session, only to realise youve slowly ended up with every track completely maximised, and zero headroom for mastering. Youve probably heard this a billion times, but its so easy to overlook. I used to ignore this tip because I could make my tracks really loud using lots of compression and maximizing everything, and it worked fine when I was just exporting them and never touching them after, but when I began actually releasing tunes and getting stuff mastered, I realised how I was actually just shooting myself in the foot. Mastering is art and if you have a talented person doing your mastering and you leave them plenty of room to work with, they can really make your tracks sound incredible1. Keep an open mindThe sounds that you use to make a song whether theyre presets or youve programmed them yourself are part of a larger piece of music. If a preset sound works, why change itThe only problem Ive found over the years is that some presets can overpower a song. That definitely used to be the case in the hardware days. Youd go into a music shop and flick through the presets going, Wow Incredible I must have this synth. Then, you get back to the studio and realise that the presets are all so full of effects that theyre too big to sit with the rest of the music they destroy everything else in the song. In that instance, of course you look for an alternative, but Im not going to change a sound just because its a preset. Kick Nicky Romero Vst TorrentBitcoin. 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Likewise some of the most awful music Ive heard has been made in million pound studios full to the brim with expensive hardware. Make the music you feel like making with whatever resources you can get your hands on. If you get good enough, real music fans will understand and appreciate it. In my opinion, if you make a good track and the mix down is well balanced, and you get the final premaster sent to a top mastering engineer, then your track will stand up to everything else out there, no matter what equipment you used to make it. Use unusual sound sourcesUse instruments and sounds that arent necessarily associated with the kind of music youre writing in. I use my guitar a lot in techno tracks and not only is it a lot of fun, it gives a texture thats not heard a lot in that style. I dont play blues riffs are anything like that, but just a few notes with some atmosphere can change the feel of a track. Vocals a lovely too, even just some breathing or whispering can do a lot to the music.